Thursday, August 25, 2011
Sunday, July 10, 2011
Monday, July 04, 2011
Friday, February 25, 2011
Monday, December 27, 2010
Wednesday, December 15, 2010
Monday, December 13, 2010
Sunday, November 28, 2010
Saturday, November 20, 2010
Friday, November 12, 2010
Wednesday, November 10, 2010
Sunday, October 03, 2010
Thursday, September 16, 2010

performed on sept 7, 2010 at the orgelpark, amsterdam
winner of the organ prize at gaudeamus muziekweek
organs:
ilona kubiaczyk-adler/erik-jan eradus/gerben gritter/una cintina
pianos:
laura sandee/anna van nieukerken
laptop:
jacob adler
Wednesday, August 04, 2010
olivier messiaen
L'Ascension for organ
1. Majeste du Christ demandant sa gloire a son Pere
2. Alleluias sereins d'une ame qui desire le ciel
3. Transports De Joie D'une Âme Devant La Gloire Du Christ Qui Est La Sienne
4. Priere du Christ montant vers son Pere
1. Majeste du Christ demandant sa gloire a son Pere
2. Alleluias sereins d'une ame qui desire le ciel
3. Transports De Joie D'une Âme Devant La Gloire Du Christ Qui Est La Sienne
4. Priere du Christ montant vers son Pere
played by gillian weir
Thursday, July 29, 2010
Sunday, July 25, 2010
Sunday, July 11, 2010
zeelab
...4/6, 5/5, 6/4,...
ilona and jacob adler
2 pianos/laptop
zeelab website
Tuesday, July 06, 2010
raga malkauns
new music for sarod and organon a very ancient late night raga
anupam shobhakar: sarod
jacob adler: asu fritts organ
Thursday, June 17, 2010
Sunday, June 06, 2010
Thursday, May 27, 2010
Monday, January 18, 2010
Wednesday, October 21, 2009
Saturday, September 05, 2009
Thursday, August 27, 2009
Monday, July 06, 2009
Thursday, June 11, 2009
Sunday, June 07, 2009
colin mcphee

tabuh-tabuhan
Composer's note:
Tabuh-Tabuhan was composed in Mexico in 1936, and performed before the ink was barely dry by Carlos Chavez and the National Orchestra of Mexico City. It was written after I had already spent four years in Bali engaged in musical research, and is largely inspired, especially in its orchestration, by the various methods I had learned of Balinese gamelan technic. The title of the work derives from the Baliness word tabuh, originally meaning the mallet used for striking a percussion instrument, but extended to mean strike or beat - the drum, a gong xylophone or metallophone. Tabuh-Tabuhan is thus a Balinese collective noun, meaning different drum rhythms, metric forms, gong punctuations, gamelans, and music essentially percussive.
To transfer the intricate chime-like polyphonic figuration of the gamelan keyed instruments and gong-chimes, I have used a 'nuclear gamelan' composed of two pianos, celesta, xylophone, marimba and glockenspiel. These form the core of the orchestra.
Tuesday, June 02, 2009
Thursday, May 28, 2009
Saturday, May 02, 2009
Wednesday, April 22, 2009
two radiocastsproduced by jacob adler
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(1 hour)
performances of the piano nocturne gulistan by michael habermann and k.s. sorabji
insightful analyses at the piano by habermann
interviews with the composer
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(19:48)
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a brief introduction to rhythmic concepts in karnatic music
as an aid to unraveling the rhythmic complexity in western music
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Sunday, March 08, 2009
Tuesday, February 24, 2009
Friday, February 06, 2009
Monday, February 02, 2009
Wednesday, January 28, 2009
Thursday, January 22, 2009
Tuesday, January 20, 2009
Friday, December 26, 2008
the sea organ
The musical Sea Organ (morske orgulje) is located on the shores of Zadar, Croatia, and is the world’s first musical pipe organ that is played by the sea. Simple and elegant steps, carved in white stone, were built on the quayside. Underneath, there are 35 musically tuned tubes with whistle openings on the sidewalk. The movement of the sea pushes air through, and – depending on the size and velocity of the wave – musical chords are played. The waves create random harmonic sounds.
listen to the sea organ



























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Mein Weg Hat Gipfel Und Wellentäler 
